Blaine Western, The Fold of the Land
Raniero Vrancken, deelnemen aan de tentoonstelling als Raniero
The history of how most works of art become known is clear to us: they originate in the artist’s studio, make their way to exhibitions, and find their audiences. However, Detached Involvement was all about works of art that did not become known in any conventional way. The pieces in this exhibition were only ever seen from the corner of the eye, or served as props and replicas.
Exhibition view, Kristien Daem (wall left), Michel Francois (floor), Max Cole (wall right)
Exhibition view, Inge Meijer (left), Kristien Daem (right)
Exhibition view, Michel Francois (front), Kristien Daem (wall)
Blaine Western, The Fold of the Land
Exhibtion view, Max Cole (left), Philip Janssens (right)
This exhibition offered a view of the circumstances in which these objects and works of art were created, and the way in which their double life influenced their status. Objects considered lost and projects left unrealised; Detached Involvement was about the life cycle of a work of art.
Marina Pinsky, untitled
Inge Meijer, Still Life #1
Kristien Daem, Case Study #1 Notations for Galerie Heiner Friedrich, Köln, 1976 (not executed) by Fred Sandback
Artists
Max Cole, Kristien Daem, Michel Francois, Philip Janssens, Inge Meijer, Marina Pinsky, Raniero Vrancken, Blaine Western
Curator
Bas Hendrikx
Venue
Garage Rotterdam
Year
2018